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erin m riley interview

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AM: How do you feel the market is for the type of work you do? What drew us to her tapestries in particular is her use of unconventional imagery, which bridges the gap between traditional techniques and contemporary issues that affect youth today. Erin Riley’s work is vibrant, violent, beautiful, sad but above all honest. I am also constantly sharing my process on Instagram as erinmriley. American-born artist Erin M. Riley’s handwoven tapestries are as much works of self-poetry as they are a critique of how we, the public, engage with subjects such as domestic violence, sexual objectification, and stalking. Based in Brooklyn, Riley transforms found imagery from the Internet into meticulous hand-woven tapestries. Do Ho Suh recreated entire apartment in museum, Yeesookyung’s ceramic vases: Imperfection & surprising results, The 10 best works of Shanghai’s West Bund Art Fair 2019. EMR: I had been using mostly sourced images for a few years but had a residency with 3 months of solid work time allotted so I started collecting pictures of myself. A lot of other artists do similar work to yours by designing it digitally. The vast majority of adult movies are made for a male viewer, even “lesbian adult movies” on the mainstream websites perpetuate actions, views, and activities that are purely for a person with a dick. The adult stuff is another level, but the only time I got grounded in life was for calling sex hotlines in middle school, so it’s all there if you put the pieces together. I do feel like the market is evolving for textiles, my work is being collected all over the country and abroad, people are coming to me with questions about care, maintenance, etc. Read Article Juxtapoz Magazine: Via Wool & Cotton: An Interview with Erin M Riley - will open in a new window "Check Out the Most Exciting Art From Frieze 2016" Link to Article "Check Out the Most Exciting Art From Frieze 2016" - will open in a new window. Probably, but I haven’t run into them yet. As a woman, I feel like I have a responsibility to educate myself on misogyny, feminism, and the sex industries that I engage with. This progressed, and eventually I was using found and photographs I was taking for the work. I wrote about her for the first time in 2011, and five years later I finally get to talk to Brooklyn based artist Erin M. Riley… I had A LOT of questions for this very thoughtful, smart, and ridiculously talented woman. Article by Romily Alice in London // Friday, Jan. 20, 2017. I also had fascinations with being in jail and being a stripper, both seemed easy ways to live for free or make money. Erin M. Riley and Lucien Shapiro Exhibition at Hashimoto Contemporary in San Francisco. I have no idea. Is this intentional or a comment or something else? I work from images, so I collect or take photos for an upcoming piece, blow it up to scale, and start a line drawing that will be pinned behind the warp on the loom. Your family? If you want me to suck your dick, you’ll have to accept that I get my period. Projects in 102 countries. Philadelphia-based artist Erin M. Riley (NSFW in a weird explicit textile sort of way) scours the internet for embarrassing and downright sketchy photos of people and weaves them into elaborate wall-covering tapestries. I am really fascinated by how much work goes into each one. Let’s start from the beginning. Born in 1985 in Brooklyn, where she still resides, Erin specializes in tapestry, the art of weaving. She took some time out of her busy schedule to conduct this exclusive interview with us. Your email address will not be published. Do you consider yourself an artist and do you think a title such as ‘artist’ is beneficial or restrictive? “We exist online with the personas we inhabit,” Riley says, “This show is about the things we hide.” You can follow Brilliant Champions and Erin Riley on Instagram: @brilliantchampions, @erinmriley. My work and the girls I present are all embedded with my narrative and therefore most of my work can be seen as a modicum of me. Erin M. Riley – Serenity, 2012, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 86.4 cm, Erin M. Riley – Self Portrait 3, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 182.9 x 121.9 cm, Erin M. Riley – Curves 3, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 121.9 x 106.7 cm. Great Fire of London: 120m replica of London skyline burned. I have been weaving for 10 years this year and making representational tapestries for about 8 of those years. Arrested Motion: For our readers who are unfamiliar with your work, can you please tell us a little about your background and your art? A lot of the topics your work focuses on are quite controversial. On the one hand, it is not as commonly collected by people we know, but then again, what you do is pretty unique. Most visited arts non-profit online. Marshall McLuhan famously said, “the medium is the message.” How does the medium you choose to work with inform the subtext of the image? This March, examining themes of ritual and addiction, Erin M. Riley and Lucien Shapiro set forth a dialog constructed through personal narrative and contemporary craft at Hashimoto Contemporary in San Francisco. It’s rare for fibre arts to make you feel slightly {or very} uncomfortable, but that’s exactly what these beautifully woven tapestries do. Some collectors chose to frame the pieces and this allows the work to feel a bit more like paintings, less fragile. A lot of the imagery has stayed the same, self portraiture, objects of sexuality but in trying to combine two series I have incorporated images into my still lives. EK Interview: Erin M Riley. I am interested in the difference between photographs taken in which men think the woman is sexy vs. the woman in the photograph feels sexy. Erin M Riley: This work is a combination of reflections on past relationships, experiences I have had as well as those of women who reflect the women around me and their experiences. I'm a husband, father, brother, stranger, friend, actor and director. Most visited arts non-profit online. As soon as she learned sewing, Erin Riley became instantly hooked on everything to do with textiles. Who was Tsang Tsou Choi, the King of Kowloon? Erin M. Riley – Loot 5, 2012, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 66 cm, Erin M. Riley – Pure Hell, 2011, Hand woven tapestry, hand dyed wool on a cotton warp, 104.1 x 66 cm, Erin M. Riley – Loot 8, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 58.4 x 48.3 cm, Erin M. Riley – Loot 9, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 61 x 45.7 cm. It truly sucks growing up surrounded by denial and naïveté, especially when it comes to drug addiction, criminal behavior and the like. ... She is also an ambassador for the Australian Indigenous Alpine Sport Foundation. I started out working in a more abstract painterly fashion with the yarn because I was just in the beginning stages of learning shading, making shapes, and how to plan for large scale tapestries. Erin M. Riley: This newest work is the most nude I have ever done. Interview: Can you tell us a little bit about you and your family Jesse: I've been married for 8 years (my wife and I have been together for 9), with 3 children. There are topics that are really difficult that I want to work with but don’t think I could emotionally handle working with for days at a time. I am open about the drug paraphernalia not because it reflects my own use, but because its something my family members have struggled with. Erin M. Riley is a fiber artist who makes powerful large-scale tapestries using a centuries-old hand-weaving process with hand-dyed wool on a floor loom and depicting the complex spectrum of female sexuality–from excitement and fear to pleasure and pain. An Interview with Erin M. Riley. April 9, 2013. The same goes for Erin M. Riley. AM: Having both used yourself as well as photos you have found online or elsewhere as reference, how did the two compare? Anything interesting that was learned from the process in contrast? AM: What kind of reactions have you seen to your work at openings or in conversations with collectors, fans, and those who may find your work offensive? Projects in 102 countries. What bugs me about society is that we throw parties for babies, we kiss them and pass them around, but because my partner’s sperm in condoms and I weave them, its somehow different, and grosser. I am interested in the desire to be objectified/respected/desired/equal. From painters to photographers to poets, the voice of our moment is often told most aptly and timelessly through what they create. You decide, What do you think about Dash Snow’s controversial polaroids? I then spent the summer weaving even more revealing images, going through a cathartic few months of living in my studio, weaving myself. Established in 2011 in Seoul, South Korea. This is not uncommon knowledge. Jessica Ross. Yea, I have done a few. I collect and prepare colors for the pieces and get everything ready to start weaving, after that its just a slow and steady process of weaving the image from the bottom up. I guess I am an artist. I was taking them or asking old boyfriends for theirs and presenting tapestries of myself alongside the other women to see how I felt, like could I go through with making these pieces public. Chauntrice Riley-Stanford joined Pre-Health and Pre-Law Advising in April 2016. But I come from a vulnerable place, I am bearing my soul to people and am open for dialogue. People hate dealing with hard subjects. Is there a better reflection of a culture than the creatives living in it? Yeah, so this is that time. and making work from the perspective of an outsider artist and being successful because they do not have 40-50 years of ancestors of a medium weighing them down. The themes of your work seem to relegate women’s bodies to object status. What does your mother think about your work? Do you, as a woman, feel you have a responsibility to subvert depictions of the female body? EMR: I have had many interesting exchanges with people who have seen my work evolve, grow more aggressive or explicit and back again. Sister Corita Kent's Rules For Creatives - Why they matter today, Damien Hirst's Spot Paintings - Trivial or inspiring? So as a woman who has been attracted and sexually aroused by women since I can remember, this is a balancing act. Do you do commission work and, if so, how do you approach a piece like that? She creates tapestries depicting occasionally controversial subject matter involving adult movies, guns and drugs. Joining forces in a mutual exhibition, Erin M. Riley and Lucien Shapiro battle their inner demons side by side. Tapestry is how I feel the most comfortable presenting the images that stand out the most. I found weaving in college. 7:13. Erin M. Riley – Self Portrait 2, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 182.9 x 121.9 cm. Weaving is just another way to arrange color on a 2-dimensional surface. We're dedicated to sharing "the mindful life" beyond the core or choir, to all those who don't yet know they give a care. So much about being a woman is hidden. There is a certain warming up a buyer has to do to commit. It is the medium I feel the most connected with. Think of me as a painter who uses yarn. I had been collecting "party girl" pictures for a while but then started getting really disillusioned and was looking for more personal imagery. Erin M Riley: Ok, I am Erin M Riley, I grew up in Massachusetts, went to art school at Massachusetts College of Art & Design and moved to Philadelphia once I was accepted at Tyler School of Art for grad school, and for now Philadelphia is where I make my art. From painters to photographers to poets, the voice of our moment is often told most aptly and timelessly through what they create. I particularly like your latest tapestry with the bloody tampons. Most recently, he had a recurring role in the second season of Arrow. " I was interested in sewing and painting, and the fibers major was something that sat perfectly between those two. Its all opinion, elders in the craft world who are scared of becoming irrelevant are hung up on staying in this royalty position in which “time spent” gives you “street cred.” Young people today are coming across textiles, ceramics, jewelry, etc. We're community-driven. Why was Anni Albers a leading textile artist? The images I am weaving are traditionally images that might be sent through Snapchat nowadays, or the ones that might be deleted after a hookup, I try to take pictures of the condoms after I have sex, the pictures I send to people, pictures of tables at parties, substances & liquids that change the coarse of events. Most things in fine art are made by hand; we all develop our craft and mediums in various ways. How do you feel about people relegating weaving to craftwork? After seeing something she should not have, having her apartment ransacked, and her bank account hacked, she … - 0 Comments. I learned “tapestry” early on and was weaving abstract pieces while also making lots of paper collage work out of found and family photographs that used the silhouette a lot. I travel around the country to residency programs when I get the opportunity and exhibit all over. EMR: Yes actually, you can look for my work at Paradigm Gallery in Philadelphia, August 30th, in September at Joseph Gross Gallery, University of Arizona and Bryan Ohno Gallery, Seattle, WA. Erin M. Riley – Alone Alone, 2014, Hand woven tapestry, hand dyed wool on a cotton warp, 121.9 x 94 cm, Erin M. Riley – Portrait of a Father 3, 2015, Hand woven tapestry, hand dyed wool on a cotton warp, 61 x 45.7 cm, Erin M. Riley – Three Strikes, 2010, Hand woven tapestry, hand dyed wool on a cotton warp, 91.4 x 63.5 cm, Erin M. Riley – Ultra Thin, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 81.3 cm, Erin M. Riley – Crimson Landslide, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 132.1 cm, Erin M. Riley – $20, 2013, Hand woven tapestry, hand dyed wool on a cotton warp, 106.7 x 134.6 cm. It was an ongoing and boring conversation about Art VS Craft. Anything exciting coming up in the near future? From her interview on Fecal Face:. There is either digitally woven work or work that is hired out. At times deeply personal and honest, her work explores post party mishaps, social and sexual interactions of dating, death, pop culture and more. People often refer to my work as sexy, exciting, salacious. Change Through Spirit & Culture. What would you say to someone who says your work relies on shock tactic rather than artistic value? Nowadays, we are much more comfortable self-publishing photographs of ourselves or sending photographs to partners; we are aware of how to take the most flattering photograph and are generally implicit in the sharing. Can you explain 
the process of creating one of your works? Sexuality is something in which our roles are often turned on their heads. All images courtesy of the artist Erin M. Riley/erinmriley.com unless otherwise noted. She has taken a look at both her own and the collective consciousness of the individuals of today and laid what she sees for all to witness. Why did Michael Lin install a complete house on a roof in Shanghai? Your worst habit: How did the transition come about? Why do you choose using images of guns and adult movies rather than flowers or other imagery traditionally seen in tapestry? What are your thoughts on our current culture that stigmatizes menstruation and other natural female functions? Erin is a recent graduate of Indiana University - Bloomington. In the Studio: Erin M Riley - Duration: 7:13. My mom has been fine with my work, maybe. I only really work from images that are along the same lines as the content in the work I am making and relate to my bodies of work. Virtual Reality // Digital Intimacies, Physical Objects: An Interview with Erin M Riley. Erin M. Riley is an artist who’s truly committed to portraying women’s sexuality and issues. I mainly watch girl on girl adult movies because the likelihood of them doing something that is actually pleasurable to a woman is higher, although there is so much that is just meant to excite men. We have medicines, tampons, salves, antibiotics, all of which negate society’s need for our vaginas to be pristine vessels. I have only stopped two pieces, one because I had to move my loom and another because it was too small to get the detail I wanted. Her work has been featured in magazines and shown at numerous galleries both in her home country of the US as well as internationally. I actually wove a lot of text, large areas of empty where the hand of the weaver is shown, with large block text but was soon challenged to create tapestries and was sourcing imagery from my childhood. Strangers? I make the things that I want to make and for no other reason. The same goes for Erin M. Riley. I so glad that people enjoy many of the nude or scantily clad young ladies, but I am even more psyched when a college age girl comes to me and completely gets my perspective because we have both expressed our sexuality through images in text messages. Erin M Riley is a Philadelphia-based artist whose chosen medium is weaving, something that has not been covered much here on AM. This is also true for many of the galleries I show at, tapestries aren’t hung like paintings, hand woven pieces don’t tend to be level which can be visually annoying. Do you feel your message is communicated more effectively as tapestry compared to paintings? Second season of Arrow. either digitally woven work or work that is not the intention to those things but. The Bishop Gallery in Brooklyn, where she still resides, Erin specializes in tapestry those,. Drug addiction, criminal behavior and the like on a 2-dimensional surface October and the.... Of those years like that family would not know what to think there how did the two?! - Trivial or inspiring roles are often turned on their heads Jan. 20, 2017 be! My process on Instagram as erinmriley sad, but I reject that to... Other people use the same things if you want me to combine the two, making simple drawings I... Having just recently come across Erin ’ s work, maybe and timelessly through what they.. Art painting, Basquiat 's brilliantly-chaotic Charles the First painting between those two home country of the artist Erin Riley/erinmriley.com! Bloody tampons stripper, both seemed easy ways to live for free or make money can you 
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